| 56603 |
After all, what is digital simulation, in the real world? |
6 months 1 week ago |
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| 56612 |
What happens when you cross an effects pedal with a computer? |
6 months 1 week ago |
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| 56611 |
5 artists who are using digital effects to build a unique sonic identity |
6 months 1 week ago |
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| 56610 |
Chromatic Spontaneity: Borrowing From Generative Music Systems |
6 months 1 week ago |
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| 56609 |
Introduction: how important are effects for instruments like the electric… |
6 months 1 week ago |
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| 56608 |
Agility and Imagination: Interfacing Technique and Inspiration |
6 months 1 week ago |
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| 56607 |
Investigating Signal Chain Optimization |
6 months 1 week ago |
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| 56606 |
Introduction: how important are effects for instruments like the electric… |
6 months 1 week ago |
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| 56605 |
Investigating Signal Chain Optomization |
6 months 1 week ago |
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| 56604 |
Chromatic Spontaneity: Borrowing From Generative Music Systems |
6 months 1 week ago |
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| 56258 |
5 artists who are using digital effects to build a unique sonic identity |
1 year ago |
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| 56267 |
How to use distortion creatively? |
1 year ago |
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| 56266 |
Liquidity In Space: Modulation effects and their mysterious powers. |
1 year ago |
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| 56265 |
Shaping our creative destiny: Methodology for musicians |
1 year ago |
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| 56264 |
Audio As Objects. Investigating Minimalism for the saturated present. |
1 year ago |
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| 56263 |
Open source audio plugins: how to better use this feature? |
1 year ago |
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| 56262 |
Amp simulator: is it worth using this feature? |
1 year ago |
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| 56261 |
Effect pedals: from analog to digital |
1 year ago |
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| 56260 |
MOD Firmware Update v1.10 |
1 year ago |
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| 56259 |
What happens when you cross an effects pedal with a computer? |
1 year ago |
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